Addressing the politics and other issues
an artist & their context
A Generative series - the idea is to create interventions that will have an impact on practice
Sketchbooks
Slow learning – slow to find yourself
Leap of Faith – decoding and unraveling - reassess how I frame critique of own work.
Thinking strategically - endgame – enrich work
how meaning is produced around artworks. Understand how artist can control the meaning they create around their works.
Artist – documents etc
Who is speaking? – What are they saying?
How do we confront meaning? – categorisation
critical, social theory
How will it help formation of critique?
observing how we observe –O, Ward –
controlling nuances in my text to control/stage stories
how to place in a wider context
side note, audit – alserkal – exhibitions – male/female – nationality – group shows – residences
‘local’ art and global critique - How local art is perceived globally, what is local? How are they out of contrast as nationality?
how do we make sense when there is no distance? does artwork need distance from its narrative? can I discuss something I am distant from? Or do I need to be apart of it - links to Langlands and bell/Emin and the depth of research and personal narrative.
Studio & Cube – the relationship between when art is made and art is created – Brian O’Dougherty - Less in to biographical dialogue
website: http://tashkeel.org/workshops/critical-dialogues-1
not for citation or circulation