Feedback from MA group:
- undid a drawing by folding it over & try to undo it
- deconstructive drawings of architecture - 90's , fragmented aspect, scale up through building from space
- undone it to put it back together
- add order and understand it, through the folding and overlays
- doing & undoing
- motion
- livework evern though still
- 3D objects & archtiecture - a still place where action happens
- made them active with the stictch, using motion,
- a book is an active way to look at images
- paths - books & acetate drawings incorporate media
- print making to scale up - rotation on screen prints
- needle punching and thicker yarn.
- lines seemed physical & real
- images 3 - like pieces of fire wood
- movement - the depth & movement from the work
- motion - up towards sky
- images - 3D quality - the pieces hanging and the light behind
- black & white pieces moving around with them
- 1st image sets tone- influenced the reading
- skyscrapers hectic city life, & the confusion
- the intention and the context how images are shown
- so much is happening
- softely touch one technique and then move on to the next one
- motivation to bring message or process was about energy
- 3D buildings
- squashed buildings -
- abstract objects or sculptures
- large ceramic pieces in a gallery etc
- journey - squash them & remake them in different materials
- 2D drawing give 3D/4D moving through & within the space
- Image 7 - sound reverbation
- asking to be made bigger, 3D or body size
- moving through space - exquisite minimalist eloquence
- edging -framing is important
- how to keep it alive
- vertically or horizontally - both or one?
On the absence of colour:
- makes sense - distraction from how it is processed
- read as diagrams - it would lead to question what the colours represents 'colouring the eyes'
Response to feedbackThe aspect of motion/movement - I was unaware of this but can see it now it has been highlighted. The drawing in to 3D aspirations, scaling up was largely agreed upon and deeper intimacy with techniques rather than the 'light touch' that has happened thus far. Exploring density through embroidery techniques and materials.