Bibliography

Bibliography MA2

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Contextual study:

Badiou, A. (1988) Being and Event. Translated by Feltham, O. Originally published in French as L’ˆetre et l’´ev´enement, Paris. [online] Available at: http://incainstitute.org/pdf/alain-badiou-being-and-event.pdf (Accessed: 14.02.19)

Badiou, A. (1988) The Event in Deleuze. Translated by Roffee, J. from the original French "L'événement selon Deleuze" in Badiou, A. Logiques des mondes; Paris: Seuil, 2006. Parrhesia: A Journal of critical philosophy [online] Available at: https://www.lacan.com/baddel.htm (Accessed: 14.02.19)

Baker, C. (2010) Tracing the Physical. Studies in Material Thinking, Vol. 4 (September 2010), ISSN 1177-6234, AUT University. [online] Available at: http://www.materialthinking.org/papers/15 (Accessed: 14.02.19)

Beck, C. & Gleyzon, F (2016) Deleuze and the event(s). Journal for Cultural Research, [online] Available at: https://www.tandfonline.com/doi/full/10.1080/14797585.2016.1264770 (Accessed: 14.02.19)

Deleuze,G. in conversation with Parnet, C. (2002) Dialogues II, London & New York: Continuum. p.124. Moulard-Leonard, V. (2008) Bergson-Deleuze Encounters, New York: SUNY Press. p.8. In Foa, Maryclare and Grisewood, Jane and Hosea, Birgitta and McCall, Carali (2009) Drawn Together: Collaborative Performance. Tracey: Drawing and Visualisation Research Journal. ISSN 1742-3570. [online] Available at: http://ualresearchonline.arts.ac.uk/6187/1/drawn-together.pdf  (Accessed: 14.02.19)

Dewey, J. (1934) Art as experience. New York, Minton, Balch & Company, Ebook format.

Fay, B. (2013) What is Drawing - A Continuous Incompleteness. Dublin Institute of Technology. [online] Available at: https://arrow.dit.ie/cgi/viewcontent.cgi?article=1017&context=aaschadpoth (Accessed: 14.02.19)

Foa, Maryclare and Grisewood, Jane and Hosea, Birgitta and McCall, Carali (2009) Drawn Together: Collaborative Performance. Tracey: Drawing and Visualisation Research Journal. ISSN 1742-3570. [online] Available at: http://ualresearchonline.arts.ac.uk/6187/1/drawn-together.pdf  (Accessed: 14.02.19)

Serra, R. 1977 in Borden, L. 1994 in Hoptman, L. (2002) Drawing Now: Eight Propositions. The Museum of Modern Art, ISBN 0870703625, 9780870703621

Barriball, A. (2004) Door.  https://www.mutualart.com/Artwork/Door/D896EDD904EB057D

Documentation of performance, Drawn Together, Centre for Drawing Project Space, Wimbledon College of Art, 05/03/09. All images © Maryclare Foá / Jane Grisewood / Birgitta Hosea / Carali McCall.

Long, R. (1967) A line Made By Walking. http://www.richardlong.org/Sculptures/2011sculptures/linewalking.html

Testing boundaries:
Books:

Ballah, Kay. (2014) Preparing My Daughter For Rain. ISBN:1500233439. Self Published.

Carson, A. (2016) Float. London: Jonathan Cape.

Danchev, A. (2011) 100 Artists’ Manifestos From the Futurists to the Stuckists. London: Penguin Classics Random House.

Frost, R. (2013) The Collected Poems of Robert Frost. London: Vintage Books.

Gregson, T.K. (2014) Chasers of the Light, poems from the typewriter series. London: Penguin Randon House.

Hemmings, J. (ed.) (2012) The Textile Reader. London: Berg.

Kaur, R. (2015) Milk and Honey. Missouri: Andrew McMeel Publishing.

Magi, J. (2015) Book of excavated notes book text. Self Published for exhibition September 2015.

Midgley, M. (2001) Science and Poetry. Oxfordshire: Routledge.

Phaidon Editors. (2013) Vitamin D2, New Perspectives in Drawing. London: Phadion Press Ltd.

Online Resources:

BMW Tate Live: Performance Room series, Tate Modern, (28 February 2013) Joan Jonas, Draw Without Looking, https://www.tate.org.uk/research/publications/performance-at-tate/resources/films-and-videos/joan-jonas

Latham, J. (17” 2002) One-Second Drawing (Time Signature 5:1) https://www.tate.org.uk/art/artworks/latham-one-second-drawing-17-2002-time-signature-5-1-t02070

SFMoMa Channel, (2010) Matthew Barney on the origins of "DRAWING RESTRAINT"

https://www.youtube.com/watch?v=83WTxmkye04&feature=youtu.be

E-flux journal, (2008) https://www.e-flux.com/journal/

TateShots, (2009) Robert Morris – Bodyspacemotionthings | TateShots

https://www.youtube.com/watch?v=IeUiL5vzSzA

BBC, (2018) Tacita Dean: Looking to See https://www.bbc.co.uk/programmes/b0bczlrw

Tate Papers, no. 18 (Autumn 2012) Drawing in the Dark Involuntary Drawing: Susan Morris ISSN 1753-9854 https://www.tate.org.uk/research/publications/tate-papers/18/drawing-in-the-dark

Tsouti-Schillinger, N. (2013) Between Word and Image: the Blind Time Drawings of Robert Morris. The City University of New York http://zeitgenoessischeaesthetik.de/wp-content/uploads/2013/07/site_morris_BetweenWord.pdf

Brieber, David et al. (2014) Art in time and space: context modulates the relation between art experience and viewing time.” PloS one vol. 9,6 e99019. 3 Jun. 2014, doi:10.1371/journal.pone.0099019 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4043844/

Bourriaud, N. Relational Aesthetics http://www.kim-cohen.com/seth_texts/artmusictheorytexts/Bourriaud%20Relational%20Aesthetics.pdf

Transpositions, (2011) Wesley Vander Lugt . The Context of Art http://www.transpositions.co.uk/the-context-of-art/

The Conversation. (2014) Circles of context: giving a work of art its meaning http://theconversation.com/circles-of-context-giving-a-work-of-art-its-meaning-29401

Getting Your Sh*t Together https://www.gyst-ink.com/life-planning-and-goal-setting

Kantrowitz, A. Brew, A & Fava, M (2011) THINKING THROUGH DRAWING: PRACTICE INTO KNOWLEDGE Proceedings of an interdisciplinary symposium on drawing, cognition and education http://ttd2011.pressible.org/files/2012/05/Thinking-through-Drawing_Practice-into-Knowledge.pdf

Studio research (2016) Issue-4-November http://studioresearch.com.au/wp/wp-content/uploads/2016/12/STUDIO-RESEARCH-Issue-4-November-2016.pdf

The Drawing Center, (2003) The Stage of Drawing: Gesture and Act.  Published on Apr 4, 2003   https://issuu.com/drawingcenter/docs/drawingpapers36_stageofdrawing

Tate Papers no 14, (2010) Lovatt. A. Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium.. ISSN 1753-9854 https://www.tate.org.uk/research/publications/tate-papers/14/ideas-in-transmission-lewitt-wall-drawings-and-the-question-of-medium

Bohm, D. (1996) On Dialogue. London, New York. Routledge.

Krcma, E.J. Drawing Time: Trace, Materiality and the Body in Drawing After 1940. http://discovery.ucl.ac.uk/1444907/1/U592217.pdf

Pallasmaa, The Eyes of the Skin, Architecture and the Senses http://arts.berkeley.edu/wp-content/uploads/2016/01/Pallasmaa_The-Eyes-of-the-Skin.pdf

Ingold, T. (2009) The Textility of Making http://sed.ucsd.edu/files/2014/05/Ingold-2009-Textility-of-making.pdf

Julie Mehretu: Workday | Art21 "Extended Play" https://www.youtube.com/watch?v=iejZMhJv030&t=0s&index=37&list=WL

The Menil Collection: Conversation with Amy Sillman: Drawing in the Continuous Present https://www.youtube.com/watch?v=BLOgc466nRk&t=1420s

Tehching Hsieh: One Year Performance 1980--1981
http://dasplatforms.com/videos/tehchi…

The Menil Collection - This video collection is great, really interesting artist lectures and insights https://www.youtube.com/user/themenilcollection/videos

Referenced from MA1:

Adorno, T. (1997) Aesthetic Theory. London: Bloomsbury.

Barthes, R. (1977) 'Death of the Author'. In Barthes, R. (1977) Image Music Text, London: Fontana Press. pp 142-148

Berger, J. (1972) Ways of Seeing, London: Penguin.Berger, J. (1980) 'Francis Bacon and Walt Disney'. In About Looking, London: Bloomsbury. pp 118-125.

Bishop, C. (2013) Radical Museology: or, What's 'Contemporary' in Museums of Contemporary Art?, London: Koenig Books.

Campt, T.B. (2017) Listening to Images. Durham: Duke University Press.Chandler, D. (1997) Introduction. An Introduction to Genre Theory. Aberystwyth University. [online] At:https://www.researchgate.net/publication/242253420_An_Introduction_to_Genre_Theory

Debord, G. (1967) Society of the Spectacle. London: Rebel Press.

Dorfman, E. (2014) Foundations of the Everday, Shock, Deferral, Repetition. London: Rowman & Littlefield International.

Eraut, M. (2004) Informal Learning in the Workplace.

Etzi, R. & Gallace, A. (2016) ‘The arousing power of everyday materials: an analysis of the physiological and behavioural responses to visually and tactually presented textures’ In: Experimental Brain Research, 06/2016, Volume 234, Issue 6 [online] At: https://link.springer.com/article/10.1007%2Fs00221-016-4574-z (Accessed on 17.04.18)

Findlay, I. (2009) 'A Poetry of Objects' In: World Sculpture News, Spring 2009, pp. 36-41. [online] At: https://www.ivde.net/usr/library/documents/hassan-sharif/sharif_world_sculpture_news_2009.pdf (Accessed on 10.05.18)

Foley, M. (2012) Embracing the Ordinary: Lessons From the Champions of Everyday Life. London: Simon & Schuster.

Heartney, E. (2008). Art and Today. London: Phaidon Press.

Highmore, B. (2002) "Crashed-Out: Laundry Vans, Photographs and a Question of Consciousness." In Crash Cultures: modernity, mediation and the material, edited by Jane Arthurs and Iain Grant, 53-62. Bristol: Intellect Books, 2002.

Highmore, B. (2002) The Everyday Life Reader. London: Routledge.

Lefebvre, H. (2014) Critique of Everyday Life: The One Volume Edition. London: Verso.

Lefebvre, H. (2004) Rhythmananlysis, Space, Time and Everyday Life. London: Bloomsbury.

McNiff, S. (2008) Art-based Research in Knowles and Cole (2008) Handbook of the Arts in Qualitative Research, SAGE.

O’Dougherty, B. (2007) Studio and Cube, New York: The Temple Hoyne Buell Center for the Study of American Architecture.

O’Dougherty, B. (1986) Inside the White Cube: The Ideology of the Gallery Space, San Francisco: The Lapis Press.Open University, (s.d.) An Introduction to Material Culture: What is Material Culture. At: http://www.open.edu/openlearn/history-the-arts/culture/visual-art/introduction-material-culture/content-section-3

Relyea, L. (2013). Your Everyday Art World. London: The MIT Press.

Stiles, K. and Selz, P. (1996, republished April 2011) Theories and Documents of Contemporary Art: A Sourcebook of Artists Writings. London, University of California Press.

Sullivan, G. (2010) Art Practice as Research: Inquiry in the Visual Arts. London and Thousand Oaks, CA, SAGE.

Ward, O. (2014). Ways of Looking: How to Experience Contemporary Art. London: Laurence King.