artist research

26.12.2019 - Rain room, Sharjah Islamic Arts Festival & Sharjah Art Foundation

https://videopress.com/v/Eqx307ES?loop=true&muted=true&persistVolume=false&preloadContent=metadata

https://videopress.com/v/RAHtfnkh?loop=true&muted=true&persistVolume=false&preloadContent=metadata

https://videopress.com/v/0pwwY9Nt?autoPlay=true&controls=false&loop=true&muted=true&persistVolume=false&preloadContent=metadata

21/09/2018 - Gallery Visit: Ways of Seeing, NYUAD Gallery, Abu Dhabi.

Fred Sandback and Hassan Sharif fulfilled my vision

Gustav Metzger challenged my thinking

Grayson Perry tickled my fancy

David Claerbout blew my mind

James Turrell comforted my soul.

Grayson Perry, A Map of Days, 2013, etching from four plates, 119.5 x 161 cm (my photos of artwork)

James Webb, Scream, 2008, signed certificate, speakers, assorted wires, audio, museum barrier, dimensions variable (my photos of artwork)

img_2762

Cindy Sherman, Untitled #466, 2008, colour photograph, 246.1 x 162.6 cm (my photos of artwork)

img_2748

Hans-Peter Feldman, One on One (milky Way), 2012, chocolate box and sign, dimensions variable

(my photos of artwork)

img_2720

Andreas Gursky, Dubai World I, 2007, c-print, 307 x 223.3 x 6.2 cm (my photos of artwork)

Michelangelo Pistoletto, METRO QUADRATO INFINITO, 1966/2018, sculpture, string, 240 x 240 cm (my photos of artwork)

Gustav Metzger, To Walk Into - Massacre on the Mount, Jerusalem, November 8, 1990. 1996/2018, photograph on PVC and linen cover, 238 x 395 x 30 cm (my photos of artwork)

David Claerbout, The Algiers' Section of a Happy Moment, 2008, single-channel video projection, b/w, stereo, 37 mins (my photos of artwork)

James Turrell, Alta (Pink), 1968, cross corner projection, dimensions variable (my photos of artwork)

Hassan Sharif, Knots, 2012-2016, cotton rope and stainless steel, 380 x 350 cm (my photos of artwork)

Sharif fills the space - the opposite of how I'm told he was as a person. The rope and knots are so clear yet lost in mass. It was higher when I saw it last - it took up less floor space and it felt like you could walk in to it - this feels deflated, or maybe growing tired from moving from place to place. 

Fred Sandback, Untitled (Sculptural Study, Twenty-two-part Vertical Construction), 1991/2018, black and red acrylic yarn, dimensions variable (my photos of artwork)

I want to lie on the floor, I want to ping it and run about in them.

Not Pictured: Kim Tschang-Yeul - water drop -a painting and a reference - does the artist want you to look at both, are they the same - is one incidence and one action?

Not pictured: Gustav Metzger - Historic Photographs: To Crawl Into - Anschluss, Vienna, March 1983, 1996/2011 - the linen was so heavy, my shoulders ached from bearing the weight - the actual weight and the metaphoric weight - the women in the large photo are scrubbing the floor while children look on - I crawl on top of them struggling to lift the fabric to see them, I haven't seen them before, I don't know them but for a moment I'm with them, in a similar position but with the privilege of choice, of participation, rights - can I ever emphasise? do I need to? is the moment enough - a token -its history, past, I cannot change.